This Vyne holds memory not as escape, but as essence. It’s not about old things. It’s about lasting things. These pieces surface what still lives under the skin. It could be language, lineage, instincts or traces. This is presence shaped by memory.
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We are not here to decorate the world.We are here to disturb it beautifully.To say what’s unsaid.To wear what we feel.To make space for what doesn’t fit in boxes.Because expression isn’t a luxury.It’s oxygen.In a world addicted to filters,we choose real.
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We still expect women to arrive fully formed. Graceful, capable, unbroken. But the truth is, most of womanhood happens in process — in what doesn’t get posted, published, or praised. Shweta Iyer’s work sits right in that space. The unfinished. The fractured. The parts still being reclaimed.“I create to celebrate womanhood. Not the ideal. The real,” she says. “We adapt, we multitask, we break and rebuild.”
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We are not here to decorate the world.We are here to disturb it beautifully.To say what’s unsaid.To wear what we feel.To make space for what doesn’t fit in boxes.Because expression isn’t a luxury.It’s oxygen.In a world addicted to filters,we choose real.
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In his series Exhale, Aditya Raj wanted to depict queerness through the subtle ways that it shows up in his daily life. To try and paint what it feels like to be queer, to live those experiences and how one navigates being queer.
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