My work speaks to Environment. I’m drawn to this theme because nature has always been both my subject and my refuge. It matters now more than ever as we face how fragile our relationship with the earth has become. Through in-camera double exposures, I merge people with landscapes to show that we’re not separate from nature—we are nature. My art is a reminder of that connection, and a quiet challenge to value it before it’s lost.

"Arboreal merges my silhouette with branches, exploring symbiosis with forests. Captured in‑camera as a double exposure, its minimal composition reminds us how dependent we are on trees and why we must protect them.
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"I layered a profile with autumn leaves via double exposure. Leaves flood the face and body, turning the silhouette into a blaze of red. It is quiet and introspective, as if nature speaks for us.
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"I wanted to compress an entire pine forest into a bottle. I photographed the jar and then overlaid a dense Finnish forest via in-camera double exposure. The mood is dark and introspective, as if you’re holding a private woodland."

"I captured my child’s swirling profile and layered it with lush green branches using in‑camera double exposure. The motion of hair and leaves creates a dance that celebrates being outdoors. The result feels playful and vibrant.
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Adrift in the Reeds captures the experience of drifting through wetlands. I layered my subject and reeds in‑camera as a double exposure. The ethereal image invites us to feel at one with fragile aquatic ecosystems.

"I filled my daughter’s profile with green leaves via double exposure. The vibrant greens symbolize growth and vitality, reflecting how summer and childhood memories intertwine and celebrate innocence."

"I merged a child’s profile and branches via in‑camera double exposure. Branches follow the neck and shoulders like a spine, grounding the figure in light. This is a meditation on how trees support us."

Here two slender pines rest inside a jar. Using in‑camera double exposure, I photographed the jar and then layered the trees, allowing them to lean toward one another. The minimal composition feels intimate and speaks of companionship.